Pardubice Castle

Pardubice Castle stands on the site of a water castle – the seat of Archbishop Arnošt of Pardubice, advisor and courtier of the Czech King and Emperor Charles IV.   A remarkable fortification was built – still in its original condition. The palace is an example of the transformation of castle architecture into a chateau that suits the Renaissance lifestyle of the Pernštejn ruler. The stonework decoration of window jambs, portals, fireplace cornices, as well as the execution of cross, star and net vaults, are an excellent example of late Gothic art. The entrance portal of the chateau with a stone bridge from 1543, fragments of wall paintings, especially in the knights’ halls on the first floor of the palace, and painted coffered ceilings represent a manifestation of the early Renaissance. The Adalbert Hall is famous for its mural painting of Fortune of the Fickle. The Renaissance artist painted Fortuna Volubilis in the form of a beautiful woman standing on a wobbly ball – it is one of the first nudes in the history of Czech fine art. The charming Fortune in bronze form can be caressed by any of the visitors … believe me, Pardubice’s Fortune is smiling…

Visitors of all ages will appreciate a walk through the castle courtyard and ramparts, where they will find castle peacocks and a goat enclosure. Throughout the year, the permanent exhibitions of Pardubice: The Story of the City, the archaeological exhibition Against the Flow of Time and the art installation S.K.L.E.M. Visitors can also climb the 172 steps to the castle tower and enjoy the view of the Pardubice region and the Elbe region.

Seasonal exhibitions attract visitors on social, sports and scientific topics, and the museum has currently prepared an extensive exhibition Things Tell – 140 Years of the Pardubice Museum.

Visitors can also take guided tours From Castle to Chateau: Transformations of the Pernštejn Residence in the Castle Grounds, a tour of a secret civil defence shelter or walks around the centre of Pardubice.

Social events, theatre performances and concerts are often held in the social hall and in the courtyard.

 

  • open daily except Mondays from 10 a.m. to 6 p.m.
  • admission to all exhibitions and selected exhibitions 170 CZK
  • half admission 85 CZK (pupils, students, seniors)
  • tour of the castle tower 30 CZK/full, 15 CZK/half
  • history exhibition separately 70 CZK/full, 35 CZK/half
  • S.K.L.E.M. exhibition and archaeology 100 CZK/full, 50 CZK/half
  • Tour of the civil defence shelter 100 CZK/full, 50 CZK/half
  • family admission (2 adults + 2 children) 240 CZK
  • free admission for children under 6 years of age and holders of ZTP and ZTP/P cards

 

Pardubice Castle

Pardubice Castle stands on the site of a water castle – the seat of Archbishop Arnošt of Pardubice, advisor and courtier of the Czech King and Emperor Charles IV.   A remarkable fortification was built – still in its original condition. The palace is an example of the transformation of castle architecture into a chateau that suits the Renaissance lifestyle of the Pernštejn ruler. The stonework decoration of window jambs, portals, fireplace cornices, as well as the execution of cross, star and net vaults, are an excellent example of late Gothic art. The entrance portal of the chateau with a stone bridge from 1543, fragments of wall paintings, especially in the knights’ halls on the first floor of the palace, and painted coffered ceilings represent a manifestation of the early Renaissance. The Adalbert Hall is famous for its mural painting of Fortune of the Fickle. The Renaissance artist painted Fortuna Volubilis in the form of a beautiful woman standing on a wobbly ball – it is one of the first nudes in the history of Czech fine art. The charming Fortune in bronze form can be caressed by any of the visitors … believe me, Pardubice’s Fortune is smiling…

Visitors of all ages will appreciate a tour of the castle exhibitions  throughout the year – without a time limit for entry to the tour. The permanent exhibitions include the exhibition of toys “Once upon a time”, as well as the interactive exhibition “Nature of the Eastern Elbe”, the exhibition of glass creation “Czech Glass”, the numismatic exhibition “Money in Bohemia 1520 – 1620”, an exhibition of weapons and a collection of postcards. Seasonal exhibitions attract visitors on social, sports and scientific topics….. currently until 23.2.2014 there is a large exhibition “The Kingdom of Machines”, followed by the exhibition “Bombs over Pardubice”.

Social events, theater performances and concerts are often held in the knights’ halls and in the courtyard of the castle.

 

  • Open daily except Mondays from 10 a.m. to 6 p.m.
  • admission to the entire chateau  100 CZK,
  • half admission 50 CZK (children and students, pensioners).
  • a tour of only one permanent exhibition of CZK 30 and 15,
  • tour of the exhibition of toys  10 and 5 CZK
  • family admission ( 2 adults + 2 children )  200 CZK
  • free admission for children under 6 years of age and immobile citizens

Hrubá Skála Castle

On two sandstone rocks, which rise to a height of almost 60 m above the valley of the Libuňka River, between Trosky andWallenstein , stands the Hrubá Skála Chateau, once a castle called only Skála. Since Skála above the Jizera River still existed in this region, in the 17th century their names were distinguished into Malá and Hrubá Skála. The similarity of the names in the historical beginnings of both castles and, moreover, the owners of different branches of the same family, all this caused difficulties in locating historical events at the time of their origin. The manor of today’s Hrubá Skála was created by splitting off from the goods of Valdštejn Castle. 
Skála Castle was probably built by Hynek of Wallenstein, who is mentioned in 1353 as the lord of Skála, which thus appears for the first time in written sources. However, for unknown reasons, Hynek soon ceded the castle to his brother Jaroslav (Jarek) of Valdštejn in Chlum, Skála and Lomnice, which is documented in writing in 1. 1358-1362. Skála Castle belonged to the high rock castles, which were built where it was possible to use natural conditions for defense. The place was chosen very well. The platform of two huge boulders provided sufficient space for the bailey and the castle itself, and both parts were practically accessible only from one place, from the south by a bridge, under which there was an almost sixty-meter abyss. This bridge led to the bailey, which connected another bridge with the rear castle. There it was necessary to hew the rock on the west side and widen the ravine between the two boulders. We do not know the appearance of the original Gothic castle, although in many places of the rocky foundations openings for beams have been preserved, and under the current large tower there is a tangle of underground rooms carved on the floors below each other, some completely dark, others with openings on the north side of the rock. Also on the opposite rock outside the castle, called Prachovna, there are remains of foundations and traces of stairs. The rock protruded high above the rock boulders and from its platform it was easy to see the wide surroundings in the north from Ještěd throughKozákov and further into the region.

Jaroslav of Wallenstein probably died in 1370 and until 1395 it is not clear about the other owners of the castle. The fact that Peter of Vartemberk was among them in Veliš after this year is evident from several documents related to the solution of serf issues in the vicinity of Skála and the sale of some of Peter’s estates to the Bishop of Litomyšl. Since in 1. 1407-1408 the bishop donated Skála to the Litomyšl church, it is obvious that the sale concerned Skála and the respective villages. In 1. 1416-1460, the owners of Skála were the opponents of the Hussite movement, the Lords of Jenštejn. Only the serf town of Rovensko and adjacent villages belonged to the castle, so it was not a large estate. In 1460, they acquired Skála to the Zajíc family of Házmburk. Jan Zajíc sided with the Hungarian king Matthias Corvinus against George of Poděbrady, and therefore in 1469 the castles of the Házmburks were besieged. Skála surrendered and Jan Zajíc was forced to ask King George to conclude an agreement. The next owners of Skála became the Svojanovský of Bozkovice before 1492, first Jindřich and after his death in 1509 Jan. The Skala estate was already quite large at that time and Jan Svojanovský also bought new and new estates. The Skála now included the Valdštejn Castle with its respective villages, part of Turnov, Rovensko, Semily, Vysoký, Návarov with estates and villages from Vyskeř in the south through Kozákov and Zásada in the north, from Borek in the east to Turnov, a total of 54 villages or parts thereof. Although Jan sold the Svojanov estate, he fell into debt with new purchases on Skála and was forced to pledge the Skala estate to creditors. Individual parts of the pledged Skala estate were bought from 1515 by Zikmund of Smiřice and by 1524 he gradually seized the entire Skala property.

This is how the hundred-year-old dominion of Smiřické nad Skálou began, which was also reflected in the structural change of the castle. The Gothic Skála was transformed into a Renaissance chateau. Wooden buildings mostly gave way to buildings made of stone. A continuous corridor was newly established on the second floor of the west wing. Columned arcades were opened on the first floor. A worm staircase led to the first floor, and the main tower with a square floor plan was also substantially modified. Above the level of the buildings, a gallery was established in the tower and above it a narrower square tower. In the tower there was a vaulted room with a door leading to an arcade corridor, from which one entered the large hall. The palace building on the south side of the courtyard was decorated with Renaissance sgraffiti with hunting scenes. The building on the east side was similarly supplemented, so that only the north of the courtyard was closed by low galleries. The entrance to the bailey was also equipped with a high gate with a drawbridge. The security of the castle was perfect. In this form, the Rock was completely inaccessible. Although the value of the furnished manor rooms can only be made from a few preserved objects, they have a really high artistic level. In the Museum of the Bohemian Paradise in Turnov, there is a carved wide Renaissance chest and a seat, but especially a Meissen stove (originally a fireplace from the Great Hall) with colourful glazed tiles in the lower part with antique portraits and in the upper part with a pair in Renaissance costumes with the letters WDMIE on each tile of different colours. (Older historians interpreted them as an abbreviation of the motto LEAD ME. However, this interpretation is unlikely, it is probably a cryptogram, which was fashionable at that time and marked the beginning of the words of an important sentence, while the letters had to be read from left to right. The consensus offers the sentence Verbum Domini Manet in aeternam – The Word of the Lord lasts forever. These objects prove the wealth of the Smiřický family and at the same time the change in the taste of the lords of the newly built castles.

Sigismund of Smiřice died in 1548 and left behind three sons, of whom Jindřich inherited Skála. He also continued his father’s tradition and expanded the Skala estate; from the immediate vicinity he bought Trosky Castle with adjacent villages. He died in 1569 and his estates were divided by three sons. Already in this generation, there was a premature extinction of individual members of the family, which later meant the demise of the Smiřický family by the sword. Jaroslav died without heirs in 1588 and after him Albrecht in 1602, and so after his death another Zikmund Smiřický of Smiřický became the lord of immense wealth. He did not deny the family’s ability to expand the manor and bought Kumburk, Český Dub and other goods and introduced exemplary farming on all of them. He died in 1608. He was survived by three sons, Jaroslav, Jindřich Jiří and Albrecht Jan. Jaroslav died young in 1611, Jindřich Jiří was weak-minded, so Albrecht Jan gained a huge fortune at the age of seventeen. He did not have good health either, but he excelled in education and intelligence. He zealously participated in all the actions of the Czech estates who were preparing a rebellion against Ferdinand IL, inspired and incited the uprising and even actively participated in military actions in 1618. In November of the same year, however, he fell ill in a military camp near České Budějovice and died at the age of twenty-four after being transported to Prague. In this way, he actually escaped the fate of his comrades after the defeat at White Mountain in 1620, which was followed by a trial and execution of the leaders of the uprising in 1621. Although Albrecht Jan was posthumously sentenced to the loss of all his property, the Skala estate remained unpunished, because its inseparable co-owner was the weak-minded Jindřich Jiří, who was actually innocent. He was the only one left as the last male descendant of the powerful Smiřický family, and with him two of his sisters, Eliška and Markéta Saloména. Family affairs were also complicated by Eliška’s love affair with a blacksmith chasnik. This happened in 1606 during the lifetime of her father Zikmund Smiřický. As a punishment, she was imprisoned in a corner chamber under the turret on the northwest side of the castle. Her father would perhaps have revoked the cruel sentence in time, but he died in 1608. Eliška’s sister Markéta Saloména, married to Jindřich Slavata, took advantage of this. She wanted to achieve guardianship of her sister and had her taken away from Skála and imprisoned atKumburk Castle near Jičín. With the death of her brother Albrecht Jan, she actually became the only heiress of the immense estate, if she was appointed guardian of Jindřich Jiří. However, the situation was complicated by the fact that Jindřich Ota Vartemberk forcibly freed Eliška Smiřická from the prison in Kumburk and married her. Markéta Saloména Slavatová therefore immediately started a dispute over the Smiřice inheritance. Eliška’s husband was captured and imprisoned in Prague, the unfortunate Eliška lived in the Jičín castle, which also belonged to her family. The dispute ended tragically: during a commission investigation at the castle in Jičín, an explosion occurred on February 1, 1620, in which the entire commission, Jindřich Slavata and Eliška, died. The Jičín catastrophe heralded a catastrophe of wider importance, which began with the defeat of the Estates on November 8, 1620 at White Mountain. Markéta Slavatová fled Bohemia and took her weak-minded brother Jindřich Jiří with her to Germany. Later she returned again and sued for her property.

 

Albrecht of Wallenstein, who was indeed related to the Smiřický family after his mother, applied for the guardianship of Jindřich Jiří. Only he could have managed to save from confiscation that part of the estates of the Smiřický family, in which Jindřich Jiří had a share and which were entrusted to him together with the guardianship of a weak-minded relative. But even so, Albrecht of Wallenstein achieved a favorable result only after long negotiations. So he acquired the estates, but the matter with Jindřich Jiří, who was taken by his sister Margaret Saloména to Germany, was more complicated. It was not until 1628 that he was transported all the way from Hamburg to Hrubá Skála. The manor of the Smiřický and Redern families, who held Frýdlant before the confiscation after the White Mountain, became the center of gravity of the future duchy of Albrecht of Wallenstein. He chose Jičín as the ducal residence, from where the entire estate was uniformly managed. The weak-minded Jindřich Jiří Smiřický died in Hrubá Skála in 1630 and the Skala goods remained in Wallenstein’s possession. From the property of the Smiřický family, he acquired Hrubá and Malá Skála, Trosky, Frýdštejn, Semily, Navarov, Kumburk, Hořice and, of course, the estates belonging to them. The town of Turnov was again united for a time and received some rights from Albrecht of Wallenstein, because the former double estate between Hrubá Skála and Hrubý Rohozec actually reduced it to the level of a village.

During the lifetime of Albrecht of Wallenstein, his duchy was spared from the horrors of war, only re-Catholicization broke out on the estates in full force. Small peasant rebellions arose, easily managed by the army, such as the rebellion in 1629 near Rovensko, during which rebellious serfs in Libuňa murdered the Jesuit Father Matthias Burnatius from Jičín. With the death of Albrecht of Wallenstein in 1634, the Duchy of Frýdlant also ceased to exist. The new owner of Hrubá Skála became his close relative Maximilian of Wallenstein, originally designated by him as the heir to the duchy. However, this was not possible, because Albrecht’s property was confiscated. Maximilian, who was also a favorite of Ferdinand IL, nevertheless demanded the Skala estate with Turnov. The new owner took over the property in 1636 and found Hrubá Skála plundered from both the Saxons and the imperials, who behaved worse than their enemies on the former estate of Albrecht of Wallenstein. Until 1648, when the Thirty Years’ War ended, Hrubá Skála and the manor were plagued by the invasions of the Swedes and the passages of the imperials, who cruelly extorted money, cattle, grain, handicrafts, beer and wine. During the Swedish invasion in 1639, Albrecht Slavata, the son of Markéta Saloména, née Smiřická, appeared on Hrubá Skála, but he did not stay here for long. The imperial commander Colloredo conquered the castle because the Swedes did not have enough ammunition to defend themselves. In 1643, the Swedes with General Torstenson came, burned Turnov and marched into the interior of the country. The garrison on Hrubá Skála surrendered to them and the Swedes left their soldiers in the castle. The region was affected by contributions, entire villages of the Hrubá Skála estate were burned down and the fields were abandoned.

Maximilian of Wallenstein lived in Vienna throughout the Thirty Years’ War and died there in 1655. During the reign of his grandson Arnošt Josef, the Hrubá Skála Castle was to be demolished according to the imperial order from 1658 together with the castles of Veliš and Kostí , because during the wars the castles and fortified chateaux were often taken over by the enemy. Veliš Castle was indeed completely destroyed, but the destruction work progressed very sluggishly. Only a part of the moat was filled in at Hrubá Skála and after delays with the convening of commissions, further actions were completely abandoned in the autumn of 1659. It seems that the protest of the owner of the chateau was heard in Vienna. In the 17th and 18th centuries, there were no significant building modifications to Hrubá Skála. Only in 1710, when the chateau burned down, the then owner of the manor, František Josef Valdštejn, had it restored according to the state from the time of the Smiřický family. The fire hit the rear chateau, not the bailey. Another fire, this time in 1804, destroyed the bailey, where most of the buildings were made of wood. After the fire, it was built of stone. At that time, Hrubá Skála was owned by Karel Josef of Wallenstein, who abolished the castle chapel in the south-eastern corner of the castle, because the Church of St. George was built in the open space in front of the castle.

The last Wallenstein František Adam was much more of a scholar than a lord of the castle. He excelled as a botanist and published in Vienna a three-volume work Descriptio et icones plantarum rariarum Hungarie, which is still a valuable lesson for experts. It is therefore not surprising that he was not very interested in farming on Hrubá Skála, and therefore he sold the manor and the chateau in 1821 to Jan Lex of Aehrenthal, who founded a new aristocratic line on Hrubá Skála. He bought the title of nobility with the money he earned as a war supplier during the Napoleonic wars. All the Aehrenthals were good farmers. In the first and second generations, they tried to emphasize their nobility by ostentatious modifications of their residence and the surrounding remnants of aristocratic glory, and they also got into the environment of old noble families through marriages. They carried out reconstruction and modification on Wallenstein Hill, purchased stairs inTrosky and in 1859 had Hrubá Skála modified (Jan Antonín) in the neo-Gothic style, which they used to cover most of the Renaissance elements except for the main tower, arcades to the courtyard on the west side and sgraffito on the south. A gate to the bailey was newly built with a stone bridge on which there are two Gothic statues of St. Florian and St. Lawrence. The bailey was also modified and a park was built on the east side. The bridge from the courtyard to the castle yard was also built of stone. The eastern building of the castle was extended to the gallery and modified in the neo-Gothic style, which significantly damaged its existing Renaissance character. After 1945, Hrubá Skála was taken over by the Czechoslovak state as a confiscated state.

Konopiště Castle – George the Bear

It was founded as a medieval fortress by Tobias of Benešov. In its more than 700-year history , many important aristocratic families have been in possession – the Šternberks, the Hodějovský, the Vrtba, the Lobkowicz families. The castle got its current appearance at the turn of the 19th and 20th centuries, when the castle was owned by Franz Ferdinand d ́Este, the heir to the Austrian throne, who rebuilt the Konopiště castle into a magnificent seat of the future emperor.

Konopiště preserves an extremely rich collection of arts and crafts from the Gothic, Renaissance, Baroque and Modern periods. The famous Esthenian armoury, which the Archduke had transferred to Konopiště from his Modena heritage, stands out, and which is one of the most interesting in Europe. Of the interiors, the best are the representative salons on the first floor, such as the Reception Salon and the Column Salon, both with extremely valuable Italian cabinets from the 17th century.

 

Hrádek U Nechanic

The Hrádek u Nechanic Chateau was built as a representative and summer residence of the Harrach family in the years 1839 – 1857 by František Arnošt Count of Harrach (1799-1884), an important representative of the Jilemnice family line. A project developed by the English architect Edward Buckton Lamb (1805-1869) in the Tudor Gothic style served as a model for the construction of the romantic chateau. The construction work was led by the young Austrian architect Karl Fischer (1817-1856), who modified the plans and designed the decoration of the castle interiors. In addition to this equipment, made mainly by local craftsmen, a number of antiques were brought to the chateau, especially from Italy and Austria. Often these were  entire portals, ceilings or complete furnishings of the entire room. Simultaneously with the construction of the chateau, in 1844 a part of the surrounding forest was modified by the garden designer L. Krüger as a landscape park (18 ha) and a game preserve and pheasantry (200 ha) were established in the remaining part. In 1945 , the chateau was confiscated on the basis of the so-called Beneš Decrees. 

The current chateau exposition is an example of the living of the nobility in the second half of the 19th century in the original historical furnishings (representative rooms, the suite of the Count and Countess, a picture gallery, guest rooms , the chateau chapel).

The state chateau Hrádek u Nechanic was declared a National Cultural Monument in 2001 .
The chateau is managed by the National Heritage Institute, a contributory organization established by the Ministry of Culture of the Czech Republic.

Ratibořice Castle

Ratibořice Castle is known mainly for the work Grandmother by Božena Němcová. It was here that the famous Kateřina Zaháňská – the princess of Grandma lived. The beautiful Empire chateau forms a dominant feature inextricably linked with Grandma’s Valley. Originally, it was a one-storey Baroque chateau with a chapel in the style of small Italian summer houses and summer residences. It was built in 1708 in the vicinity of a fortress from the 14th century by the owner of the Náchod estate, Vavřinec Piccolomini. In the 18th century, an extension was built – a one-storey wing that served for guests and servants. Other extensive reconstructions were carried out by Kateřina Zaháňská, who inherited the Ratibořice Chateau and the Náchod manor from her father, Duke Peter of Curon.

It was during her possession that the small Ratibořice residence became a place where the whole of Europe shook hands. At her summer residence, the princess hosted world personalities and the elite of society at the time – such as the Austrian Chancellor Metternich or the Russian Tsar Alexander I. In 1813, the walls of the Ratibořice castle were silent witnesses to a secret meeting of the anti-Napoleonic coalition of Prussia, Russia and Austria. The princess rebuilt the entire chateau into a modern-looking fashionable Empire residence. In addition, she set up a large English park and an exotic greenhouse in front of the chateau. The beautiful park turns into wild nature with meadow trees, forests and small paths and paths, alleys and bridges over the Úpa River. The whole complex forms a very picturesque complex today called Grandma’s Valley. In 1840, the Náchod estate, including Ratibořice, was bought by Karel Octavio of Lippe, but in 1842 he sold it to the Schaumburg-Lippe family. This aristocratic family managed the castle until 1945, when the seat passed into the hands of the state. During the Schaumburg family, the castle acquired a slight classicist charm. Take a look at the important mansion, which represents a typical elegant rural dwelling of the high aristocracy from the 19th century.

Teplice Castle

Teplice Castle is the seat of the Regional Museum.

On the promontory, under which healing hot springs flow, Queen Judith founded a Benedictine monastery in the 2nd half of the 12th century. During the Hussite wars, the monastery was significantly damaged and around 1435 the nuns left it. The Teplice estate fell into the hands of secular owners and a feudal residence was built on the site of the monastery buildings. In the 2nd half of the 15th century, Queen Johana built a fortress here, in the 16th century Volf of Vřesovice built a castle church and began to build the main building of the castle, which defines the southern side of the Castle Square. During the Vchynsky (1580-1634) the unfinished main tract was rebuilt in the Renaissance style and the left wing was attached to it. After the death of the last Czech owner of Teplice, Vilém Vchynský, the Aldringen family became the owners of the chateau, whose successors, the Clary-Aldringens, resided here until 1945. The Baroque stage of the chateau’s construction includes the New Building (west wing), to which a theater was added in the 2nd half of the 18th century, expanded in 1800 by a charming Empire vestibule. During the last major reconstruction that began at the end of the 18th century, the chateau church was re-Gothic and the façade of the main building of the chateau was modified in the Classicist style.

Since 1947, the chateau has been the seat of the museum. On the first floor of the building, there are exhibitions focused on the prehistory of northwestern Bohemia, the art of Gothic, Renaissance and Baroque, spa and the development of ceramic production in the region, there is a permanent exhibition of clocks, a numismatic cabinet and some castle interiors with period furnishings. The visitor circuit also includes an inner courtyard with a marked floor plan of the monastery basilica and a rarely preserved Romanesque crypt.

 

 

Opočno Castle

The Renaissance chateau above the valley of the Golden Brook was built on the foundations of a Gothic castle by the Czech aristocratic family Trček of Lípa in the 2nd half of the 16th century. In the 17th century, the chateau was acquired by the Colloredos family, who modified not only the interiors of the chateau, but also the economically used valley into a landscape park with romantic buildings. The most attractive parts of the chateau collections include a collection of weapons and a picture gallery with works by Venetian and Neapolitan masters of the 16th and 18th centuries.

Castle
The chateau built by the aristocratic Trček family of Lípa was built during the second half of the 16th century. The generosity of the concept and considerable family property were a prerequisite for the construction of a large complex, developed around the main chateau building with three floors of arcaded loggias open to a rectangular courtyard. The events of the Thirty Years’ War, together with the penetration of new social forms and building styles, influenced the appearance and ownership of the complex. For the Colloredo-Mannsfelds, the need for presentation became the main force influencing the events in the chateau. The interiors were modified in the spirit of the European aristocratic environment, the economically used valley was replaced by a newly established natural landscape park with romantic buildings. Despite all the changes that the chateau complex has undergone, it has retained its enormous historical and artistic value, as well as considerable charm and charm.
Sightseeing tours:
  • ethnographic hall, historical interiors, picture galleries, library + oriental armoury, hunting hall, armoury
  • ethnographic hall, historical interiors, picture galleries, library
It is also possible to visit the castle park and occasionally accessible areas of the castle.
 
History

The area of the Opočno chateau was built on the site of a medieval castle, which stood here according to the first written report in the Chronicle of Cosmas as early as 1068. During the Hussite wars, when the manor was owned by Jan Městecký, the castle was besieged by orphan troops due to the betrayal of its owner, conquered and destroyed in 1425.
In the following period, a number of owners changed in Opočno, which lost its importance, until 1495 the manor fell to the Trček family of Lípa. They belonged to the richest families in Bohemia, held high offices and built a representative family residence from Opočno by rebuilding the old castle into a Renaissance chateau.
The reconstruction was mainly due to Vilém Trčka, inspired by his stay in Italy in 1551 and the buildings of the Italian Renaissance. Its inner courtyard was equipped with arcaded galleries with slender Tuscan columns, the facades were decorated with sgraffito. In 1602, a ball room and a one-storey summer house became part of the chateau complex. In the 17th century, the Trčka family died out by the sword, when Adam Erdman Trčka together with Albrecht of Wallenstein was murdered in Cheb in 1634.
The Trček property was confiscated and Opočno was acquired by Rudolf Colloredo, an officer of the imperial army. At the turn of the 17th and 18th centuries, the Colloredos proceeded to the building modifications of the castle in the Baroque style, the presumed author of which is the builder Giovanni Battista Alliprandi.
In 1771, thanks to the marriage of František I. Gundakar Colloredo with Maria Isabella of Mansfeld , the family name of the owners was extended to Colloredo – Mansfeld and the estate of Opočno and Dobříš was merged. The Colloredo – Mansfeld family owned Opočno until World War II, after which it was confiscated. In the 19th century, the Opočno chateau was still structurally modified, when the wall in the courtyard connecting the side wings was torn down.

 

Hrubý Rohozec Castle

The Hrubý Rohozec State Chateau, surrounded by a small English park, offers its visitors a tour of more than thirty richly furnished rooms, which previously served as representative and living rooms for members of the originally French Count family Des Fours Walderode.
The predecessor of today’s chateau was an early Gothic castle built after 1300 on a rock above the Jizera River. Its founder was most likely a member of the Markvartic family – Havel, who subsequently began to write with the epithet “from Rohozce” according to his newly founded residence.
In the 14th and 15th centuries , the castle was owned by the lords of Turgov, the lords of Michalovice and the Krajíř family of Krajek. At the beginning of the 16th century, during the reign of Konrad Krajíř of Krajek, Hrubý Rohozec was rebuilt into a comfortablelate Gothic residence.
Since the middle of the 16th century, Hrubý Rohozec has been the property of the Vartenberks, who after 1600 proceeded to its further reconstruction, this time in the form of a Renaissance chateau. However, the Vartenberks took part in the uprising of the estates, and therefore their property was confiscated after the Battle of White Mountain; in 1623 , Hrubý Rohozec was bought by the famous Albrecht of Wallenstein. However, in 1628 , the chateau and  the surrounding manor were acquired by Mikuláš Des Fours, whose descendants then served as a family residence for more than three centuries, i.e. until its confiscation in 1945.
Members of the Des Fours family (since 1831 Des Fours Walderode) modified the chateau, its interiors and  its immediate surroundings according to their requirements and period taste. Hrubý Rohozec thus first underwent a Baroque modification; the interior of the Chapel of the Holy Trinity has been preserved from this period to this day, equipped with Baroque and Rococo furnishings. The chateau acquired its final form in the 19th century, when it was rebuilt in the Empire style according to the design of the architect Jan Filip Joendl .  Romantic modifications from the middle of the 19th century (e.g. the neo-Gothic portal of the door leading to the staircase to the castle chapel) did not have a significant impact on the overall appearance of the castle.
In the 19th century, some of the interiors of the castle also acquired their present appearance, the most important of which are the castle dining room with valuable painting of the walls and ceiling in the Romantic Gothic style or some rooms on the second floor painted in the style of the second Rococo.
At present, the interiors of the chateau are presented in their original form from the 1930s  , when its penultimate owner, Count Mikuláš Vladimír Des Fours Walderode, with his wife Gabriela Karolína and their sons Maxmilián and Ludvík, lived in the chateau.

 

Frýdlant Castle

Frýdlant is one of the largest and most important monument complexes in northern Bohemia. It combines two architectural formations: a medieval castle and a Renaissance chateau. The castle was built around the middle of the 13th century. In 1278 , the estate was acquired by the Bibrštejn family, who significantly participated in the construction of the massive castle palace.  In the years 1558 – 1621 , Frýdlant belonged to the Redern family. They continued to improve the Frýdlat estate. They were skilled farmers and warriors, but also builders and supporters of the arts. Their work is the construction of a new Renaissance chateau and chapel.

Between 1622 and 1634 , Frýdlant belonged to Albrecht of Wallenstein. He bought it for 150,000 guldens and gradually built a huge economic domain. His estates experienced a huge boom during the Thirty Years’ War, because they supplied his army. The Frýdlant region was called Terra felix – Happy Land.

After Albrecht’s assassination in 1634 , the Frýdlant Gallas family, and from 1757 the Clam-Gallas family, an important nobility in diplomatic and military service at the imperial court, received from the emperor. They stayed here until 1945, when Frýdlant passed to the state.

     The original appearance of the Gothic castle has not been preserved in its entirety to this day. Today we see the castle as a massive two-storey building around a small irregular courtyard, dominated by a large cylindrical tower, bergfrit. The castle gradually expanded and during the 16th century it underwent two Renaissance modifications.  The chapel and the Renaissance chateau were built at the turn of the 16th and 17th centuries by Marco Spazzio di Lancio. In the 60s of the 19th century, the last major construction work took place , namely on the reconstruction of the castellan wing.